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Pawan Kalyan is branded as the most creative male lead in Telugu industry. His potential at the box-office is certainly undeniable even after stringent flops in his career. Meera Chopra who costarred with SJ Surya in Aa Aah for the first time fuses with Pawan Kalyan. Incidentally this is her first Telugu film as well. Raja, Reema Sen and Trisha also are also playing some vital roles. Dharani, arguably the best in canning commercial cinema directs the flick. AM Ratnam after the stupendous hit Kushi with Pawan Kalyan is producing this under Sri Surya Movies. Vidyasagar who was privileged with National award for his number in the film IYARKAI, scores for a big hero in Telugu cinema after a lengthy break. Mighty hits like Gilli and Chandramukhi in Tamil proves for his caliber. Did he deliver the goods? Read on….. Jai Shambo   The song might be the male lead intro song. Lyrics interpret how male lead imparts gusto in the crowds and how he insinuates good to the society. Tippu sings this one with lot of verve and feel. Mirchi Ajay and Dharani render their voice for rap bits in between. Tune is okay. Orchestration lifts up the tune value and takes it to the peak at the end of Pallavi. Interludes are specially designed with rap bits in. Apt use of electric guitars enhanced the orchestration panache. Bhuvana Chandra penned the song with some decent lyrics. Yegire Chilakamma  The song is a typical satirical confrontation number where in the lead pair allege each other. Bhuvana Chandra words this one with some comic lines like “Cheepuru Pullaki Parikini (Frock) Kadithey Miss World Avuthunda….”. Udit Narayana sings this one with his typical slang voice. The rhythm of the song is disturbed with his slang pronunciation of words like “Crazy Nazi Hitler”. Anuradha Shreeram did good job with her sweet voice. Tune and orchestration give us a feeling of listening to an old song. It’s a regular number. Ra Ra Bangaram “Jarugu Jarugu” yells the crowd hailing their beloved Bangaram. Tippu once again sings this one with passion. Bhuvana Chandra lyrics interpret how male lead depicts the essence of a true life and a way to lead it. Tune is simple and orchestration is in typical Vidysagar’s style. The words like “aachi buchi jambalakadi lachi.....” curtailed the panache of the song. Though the song is short in length, this will see the fans roaring upon their feet for sure. Maro Masthi Maro  Song starts on a melodious note and then quickly transforms into a typical Punjabi kind of a number. Sukhwinder Singh sings it with hazy articulation. Anuradha Shreeram accompanied him with her delicious voice which is the only saving grace of the song. Tune is routine and orchestration is not dealt in an entertaining way. Electric guitars in the background enhanced the song a bit. Chedugudante Ante Bayam  It’s an out and out folk based number sung extremely well by Anuradha Shreeram. Her succulent voice is the main asset of the song. Stress of the accent at the word “Jarram ochindi” speaks for her caliber. KK accompanied her well. Dharani also lends his voice. Tune is very good as is the orchestration. The song comes to peak at the end of pallavi. Orchestration is carefully done. Lyrics by Sahiti is also worth mention. This song for sure ensures every fan to be on his feet in the theatre. The song is a delight for every fan In addition a remix version of Ra Ra Bangaram is positioned in the album which is performed vigorously by H Sridhar and Praveen Mani in an entertaining mode. Pawan Kalyan for the first time goes in for a full pledged mass audio. Vidyasagar did a mundane job. Chedugudu ante and Ra Ra Bangaram numbers are good. Other songs lack the meticulousness. Singer’s selection barring Anuradha Shreeram is also not apt. Orchestration is not trendy. Considering earlier Pawan movies and AM Ratnam movies this audio stands as a regular one. Swarasagar's previous reviews SRi Ramadasu Happy Lakshmi Jai Chiranjeeva Allari Pidugu Andhrudu Athadu
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