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Gopichand the furious looking man after the success of Yagnam as a lead is back as Andhrudu. Gowri Pandit has been paired up opposite him for the first time. Parachuri Murali is roped in as the director. M L Kumar Chowdary after a depressing Dhana 51 is producing to try his good fortune. Kalyani Malik of Aithe fame is scoring the music. His previous audio Manasu Mata Vinadhu despite the poor performance at the box office is appreciated well. Can he continue to impress? Just read on Gundello Yemundho: 4/5 The first and foremost point to confer is about the rendition of the singers. Ranjith (Who earlier sang Adugadugu from Bobby) sang with gusto. Sahithi the debutant accompanied him well. Both did an excellent job. Lyrics by Baskara Batla interpret the emotion and the abrupt alteration which occurred in them after getting together well. Tune is excellent by Kalyani Malik. Orchestration is stand out. Kokilamma: 3/5 The song intentionally or not has pristine appear. You get a feeling of old Ilayaraja`s song. Orchestration is dealt in the same way. Tune has dejavu feel. Lyrics by Chandrabose as usual are indigenous and simple. Sreya Goshal the chief in singing the female lead numbers has sung this with easiness. Pranam Lo Pranam Ga: 4.5/5 The song is worth a listen just for K S Chitra rendition. Her modulation in between speaks her dexterity as a singer. She did a brilliant job. Tune by Kalyani Malik is terrific. Orchestration lived up to the tune. Lyrics by Chandra Bose tell us how female lead goes through the distress reminiscing about her past experiences after parting. Excellent rendition is asset to the song. O Sari Preminchaka: 4/5 Chandra Bose lyrics interpret the strong stance of the male lead on his love regarding their parting. Lyrics are neat and good. Kay Kay the master in singing agony songs has sung this one with a feel. Tune is good and orchestration is made with wacky beats to make us feel the agony. Kalyani Malik succeeded in creating the feel. Purushudi Kosam: 3/5 Its typical seduction song sung well by Mathangi (Who sang January Masam from 7/G). Kalyani Malik much to our perplexity comes in between with his hard accent. Bhuvana Chandra the master in wording this type of songs pens this one as usual with spiky words. Tune is average and is orchestration. Pari Ayee Parades: 2.5/5 Mathangi sung this one with appetite. Kalyani Malik accompanied her good. Its archetypal marriage song. Bhuvana Chandra words the song with some passable lines. Tune has no novelty. Orchestration is poor. It’s just a passable number. The audio is a feel good one filled with agony numbers. Kalian Malik did a fine job. He succeeded in giving the feel numbers. Singers to an extent did decent job. Overall its good album which has the potentiality to help the movie at the box office. |